Automotive and truck wreckers became our best friends. Machinery and equipment recyclers in California, Oregon, Washington, Georgia, Alabama, Florida and North and South Carolina knew us. Accordingly, during prep, the airline graveyards in the San Fernando Valley, Mojave Desert, Arizona, Florida, Georgia and Texas were picked clean by me, my Assistant Set Decorator Claudia Bonfe, Buyers Courtney Cocherell, Charlotte Lee and Helen Kozora, and a small army of Set Dressers led by Leadman Russ Anderson. The Art Department designs for most of the space vehicles were based on some aspect of current aviation. All of the Earth-bound sets were constructed or shot on location and many, many scenes scripted on other worlds were shot on beautifully built sets with a modicum of VFX help. Spaceships galore were built and decorated top to bottom. Trying to stay faithful to the looks created in the other series was important to all of us – not to deliver a slavish re-creation of another film but to find that sweet spot where the emotional temperature of our version matches that of its predecessors.Īdditionally, Charles Wood, Production Designer of both this and the upcoming film to be released in 2019, was insistent in grounding our sets in the physical world. AVENGERS: INFINITY WAR brings together storylines from not only the Avengers series but also GUARDIANS OF THE GALAXY, BLACK PANTHER, IRONMAN, ANTMAN, DOCTOR STRANGE, and more.* Some of the film takes place on Earth but the script ventures to fantastical space vessels, celestial forges, destroyed stars and alien paradises.
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